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Let’s all meet up in the Y2K

by Matt Sephton⌘I Get Infopublished

gist

Matt Sephton uses photographs from Blueberry, a London digital agency at the height of the dot-com boom, to reconstruct the material culture of early web work. The essay moves through translucent iMacs, table layouts, LAN games, improvised perks, and a chaotic office that felt like a social club while still shipping major client work. Its final turn, from exuberance to liquidation by 2001, makes the artifacts evidence of how quickly that world appeared and disappeared.

ideas

  • Photographs preserve working culture. Desks, devices, magazines, toys, and whiteboards recover details that a conventional company history would usually omit.
  • Technical constraints shaped the craft. Sephton hand-coded sites in HomeSite when limited CSS support still made table layouts and single-pixel spacer GIFs routine.
  • Boom economics distorted ordinary bargains. A weekend deadline was valuable enough for Sephton to name the price of a classic Fiat 500 and receive it.
  • Work and social life shared one system. Music, LAN games, constant movement between desks, and intensive client delivery belonged to the same office culture.
  • The ending was abrupt. The agency moved from major clients and conspicuous spending to trade-press trouble and liquidation by 2001.

quotes

Blueberry was more like a social club than a job, and we still shipped a lot of work

Matt Sephton, describing the agency’s mix of social life and client delivery.

Everything I produced was hand-coded in HomeSite: HTML, JS, CSS.

Matt Sephton, naming the tools and languages behind his early web work.

So that’s what I got paid for a weekend building a site nobody else could get done.

Matt Sephton, recalling the price of scarce web-production expertise during the boom.

By April 2001 the downturn was already in the trade press, and eventually the liquidators arrived.

Matt Sephton, marking the end of Blueberry after the dot-com peak.